{"id":79,"date":"2023-12-25T14:22:45","date_gmt":"2023-12-25T14:22:45","guid":{"rendered":"https:\/\/isia.re\/?page_id=79"},"modified":"2026-07-26T21:58:31","modified_gmt":"2026-07-26T17:58:31","slug":"a-propos","status":"publish","type":"page","link":"https:\/\/isia.re\/en\/a-propos\/","title":{"rendered":"About"},"content":{"rendered":"\t\t
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\r\n <\/span>\r\n <\/div>\r\n\r\n <\/span>\r\n\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n \r\n\r\n
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\r\n \r\n ISIA AUGUSTINE \u00b7 ARTISTE VISUEL \u00b7 LA R\u00c9UNION\r\n <\/span>\r\n <\/div>\r\n\r\n
\r\n\r\n \r\n \u25c6<\/span>\r\n \u00c0 propos de l\u2019artiste\r\n <\/span>\r\n\r\n

\r\n Deux mains.
\r\n Deux mondes.<\/span>\r\n <\/h1>\r\n\r\n

\r\n Isia Augustine est un artiste visuel r\u00e9unionnais,\r\n dessinateur ambidextre et mangaka. Sa particularit\u00e9 :\r\n il dessine des deux mains en m\u00eame temps, et deux\r\n univers naissent en parall\u00e8le sous ses traits.\r\n En atelier, sur un mur ou en performance\r\n de dessin live.\r\n <\/p>\r\n\r\n

\r\n\r\n
\r\n Discipline<\/span>\r\n Dessin & illustration<\/strong>\r\n <\/div>\r\n\r\n
\r\n Signature<\/span>\r\n Cr\u00e9ation ambidextre<\/strong>\r\n <\/div>\r\n\r\n
\r\n Territoire<\/span>\r\n La R\u00e9union<\/strong>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n
\r\n\r\n
\r\n\r\n \r\n\r\n <\/span>\r\n\r\n
\r\n Performance<\/span>\r\n Ambidextre<\/strong>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n \r\n PORTRAIT \/ 01\r\n <\/span>\r\n\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n
\r\n\r\n
\r\n\r\n ENCRE<\/span>\u25c6<\/i>\r\n MANGA<\/span>\u25c6<\/i>\r\n PERFORMANCE LIVE<\/span>\u25c6<\/i>\r\n ILLUSTRATION<\/span>\u25c6<\/i>\r\n FRESQUE<\/span>\u25c6<\/i>\r\n AMBIDEXTRIE<\/span>\u25c6<\/i>\r\n\r\n ENCRE<\/span>\u25c6<\/i>\r\n MANGA<\/span>\u25c6<\/i>\r\n PERFORMANCE LIVE<\/span>\u25c6<\/i>\r\n ILLUSTRATION<\/span>\u25c6<\/i>\r\n FRESQUE<\/span>\u25c6<\/i>\r\n AMBIDEXTRIE<\/span>\u25c6<\/i>\r\n\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n <\/section>\r\n\r\n \r\n\r\n
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\r\n 01<\/span>\r\n Artiste<\/span>\r\n Visuel r\u00e9unionnais<\/strong>\r\n <\/article>\r\n\r\n
\r\n 02<\/span>\r\n Geste<\/span>\r\n Deux mains simultan\u00e9ment<\/strong>\r\n <\/article>\r\n\r\n
\r\n 03<\/span>\r\n Mati\u00e8re<\/span>\r\n Encre & illustration<\/strong>\r\n <\/article>\r\n\r\n
\r\n 04<\/span>\r\n Exp\u00e9rience<\/span>\r\n Cr\u00e9ation en public<\/strong>\r\n <\/article>\r\n\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n <\/section>\r\n\r\n \r\n\r\n
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\r\n\r\n \r\n\r\n <\/div>\r\n\r\n
\r\n Cr\u00e9ation simultan\u00e9e \u2014 encre<\/span>\r\n ARCHIVE \/ 01<\/span>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n
\r\n\r\n \r\n \u25c6<\/span>\r\n Biographie\r\n <\/span>\r\n\r\n

\r\n Deux mains pour faire na\u00eetre deux mondes\r\n <\/h2>\r\n\r\n

\r\n Isia cr\u00e9e simultan\u00e9ment avec les deux mains :\r\n deux univers avancent en parall\u00e8le,\r\n sur deux surfaces.\r\n <\/p>\r\n\r\n

\r\n Son style m\u00eale encre, manga, imaginaire sombre,\r\n d\u00e9tails architecturaux, corps, formes organiques\r\n et performance artistique.\r\n <\/p>\r\n\r\n

\r\n N\u00e9 de l\u2019instinct et nourri par la culture visuelle\r\n contemporaine, son geste cherche moins la perfection\r\n que le mouvement : la trace vivante d\u2019une pens\u00e9e\r\n qui se d\u00e9double.\r\n <\/p>\r\n\r\n

\r\n Isia dessine aussi en public : m\u00e9diath\u00e8ques,\r\n festivals, sc\u00e8nes. La main gauche r\u00e9pond \u00e0 la main\r\n droite, en temps r\u00e9el, devant le regard. Cette\r\n pratique se d\u00e9couvre dans son\r\n portfolio<\/a>,\r\n dans ses livres illustr\u00e9s<\/a>\r\n et lors de ses\r\n performances live<\/a>.\r\n <\/p>\r\n\r\n

\r\n\r\n \"\"\r\n\r\n\r\n \r\n Dessinateur ambidextre
\r\n Saint-Denis \u00b7 La R\u00e9union\r\n <\/span>\r\n\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n <\/section>\r\n\r\n \r\n\r\n
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\r\n MANIFESTE<\/span>\r\n 02<\/strong>\r\n <\/div>\r\n\r\n
\r\n Le dessin se fait devant vous.\r\n Un geste vivant.<\/span>\r\n <\/blockquote>\r\n\r\n

\r\n Le geste se construit dans l\u2019instant, entre\r\n contr\u00f4le et instinct. Chaque main suit sa propre\r\n trajectoire, tout en restant attentive \u00e0 l\u2019autre.\r\n <\/p>\r\n\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n <\/section>\r\n\r\n \r\n\r\n

\r\n\r\n
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\r\n\r\n \r\n \u25c6<\/span>\r\n Signature artistique\r\n <\/span>\r\n\r\n

\r\n Un univers
\r\n en cinq facettes\r\n <\/h2>\r\n\r\n

\r\n Un langage visuel nourri par le territoire,\r\n le dessin ambidextre, l\u2019encre, la sc\u00e8ne\r\n et la transmission.\r\n <\/p>\r\n\r\n <\/header>\r\n\r\n

\r\n\r\n
\r\n 01<\/span>\r\n
974<\/div>\r\n

Artiste r\u00e9unionnais<\/h3>\r\n

\r\n Une voix de l\u2019oc\u00e9an Indien, ancr\u00e9e dans\r\n le territoire et tourn\u00e9e vers le monde.\r\n <\/p>\r\n <\/article>\r\n\r\n

\r\n 02<\/span>\r\n
G \/ D<\/div>\r\n

Dessin ambidextre<\/h3>\r\n

\r\n Deux mains, deux traits, en simultan\u00e9 \u2014\r\n sa signature et son langage.\r\n <\/p>\r\n <\/article>\r\n\r\n

\r\n 03<\/span>\r\n
\u58a8<\/div>\r\n

Encre & illustration<\/h3>\r\n

\r\n Le noir profond comme mati\u00e8re premi\u00e8re,\r\n l\u2019instinct comme m\u00e9thode.\r\n <\/p>\r\n <\/article>\r\n\r\n

\r\n 04<\/span>\r\n
LIVE<\/div>\r\n

Performances live<\/h3>\r\n

\r\n Le dessin devient spectacle : un geste\r\n public, imm\u00e9diat et habit\u00e9.\r\n <\/p>\r\n <\/article>\r\n\r\n

\r\n 05<\/span>\r\n
MUR<\/div>\r\n

Fresques & ateliers<\/h3>\r\n

\r\n Fresques murales, ateliers et cours\r\n de dessin manga \u00e0 La R\u00e9union.\r\n <\/p>\r\n <\/article>\r\n\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n <\/section>\r\n\r\n \r\n\r\n

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\r\n\r\n \r\n DEUX TRAJECTOIRES \u00b7 UN M\u00caME INSTANT\r\n <\/span>\r\n\r\n
\r\n\r\n
\r\n MAIN<\/span>\r\n G<\/strong>\r\n <\/div>\r\n\r\n <\/span>\r\n\r\n
\r\n MAIN<\/span>\r\n D<\/strong>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n
\r\n Instinct<\/span>\r\n Dialogue<\/span>\r\n Mouvement<\/span>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n
\r\n\r\n \r\n \u25c6<\/span>\r\n Le geste ambidextre\r\n <\/span>\r\n\r\n

\r\n Une pens\u00e9e qui se d\u00e9double\r\n <\/h2>\r\n\r\n

\r\n La main gauche ne reproduit pas la main droite.\r\n Chacune d\u00e9veloppe son propre rythme, sa propre\r\n \u00e9nergie et sa propre mani\u00e8re d\u2019habiter l\u2019espace.\r\n <\/p>\r\n\r\n

\r\n\r\n
\r\n 01<\/span>\r\n
\r\n

Deux d\u00e9parts<\/h3>\r\n

\r\n Deux compositions commencent au m\u00eame\r\n instant, sans suivre exactement la\r\n m\u00eame trajectoire.\r\n <\/p>\r\n <\/div>\r\n <\/article>\r\n\r\n

\r\n 02<\/span>\r\n
\r\n

Un dialogue<\/h3>\r\n

\r\n Les gestes \u00e9voluent s\u00e9par\u00e9ment tout\r\n en restant reli\u00e9s par le regard,\r\n le rythme et l\u2019intention.\r\n <\/p>\r\n <\/div>\r\n <\/article>\r\n\r\n

\r\n 03<\/span>\r\n
\r\n

Une performance<\/h3>\r\n

\r\n Le processus devient visible :\r\n le public assiste \u00e0 la naissance\r\n simultan\u00e9e de deux images.\r\n <\/p>\r\n <\/div>\r\n <\/article>\r\n\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n <\/section>\r\n\r\n \r\n\r\n

\r\n\r\n
\r\n\r\n
\r\n\r\n \r\n \u25c6<\/span>\r\n Parcours\r\n <\/span>\r\n\r\n

\r\n Une pratique
\r\n en mouvement\r\n <\/h2>\r\n\r\n

\r\n Quelques \u00e9tapes marquantes dans le d\u00e9veloppement\r\n du travail artistique d\u2019Isia Augustine.\r\n <\/p>\r\n\r\n <\/header>\r\n\r\n

\r\n\r\n
\r\n <\/span>\r\n 2018<\/strong>\r\n

Premi\u00e8res performances de dessin live \u00e0 La R\u00e9union.<\/p>\r\n <\/article>\r\n\r\n

\r\n <\/span>\r\n 2020<\/strong>\r\n

\r\n D\u00e9veloppement de la pratique ambidextre\r\n comme signature artistique.\r\n <\/p>\r\n <\/article>\r\n\r\n

\r\n <\/span>\r\n 2022<\/strong>\r\n

\r\n Record de dessins simultan\u00e9s : huit toiles\r\n peintes \u00e0 deux mains en deux jours, salu\u00e9\r\n par la presse. Fresques et festivals.\r\n <\/p>\r\n <\/article>\r\n\r\n

\r\n <\/span>\r\n 2024<\/strong>\r\n

\r\n Collaborations \u00e9ditoriales et illustrations\r\n de livres jeunesse.\r\n <\/p>\r\n <\/article>\r\n\r\n

\r\n <\/span>\r\n 2026<\/strong>\r\n

\r\n Tourn\u00e9e de performances et nouvel univers\r\n d\u2019encre en pr\u00e9paration.\r\n <\/p>\r\n <\/article>\r\n\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n <\/section>\r\n\r\n \r\n\r\n

\r\n\r\n
\r\n\r\n
\r\n\r\n \r\n \u25c6<\/span>\r\n Ils en parlent\r\n <\/span>\r\n\r\n

\r\n Isia Augustine
\r\n dans les m\u00e9dias\r\n <\/h2>\r\n\r\n

\r\n Performances, record de dessins simultan\u00e9s,\r\n publications : le travail d\u2019Isia est suivi\r\n par la presse r\u00e9unionnaise.\r\n <\/p>\r\n\r\n <\/header>\r\n\r\n

\r\n\r\n \r\n R\u00e9union la 1\u00e8re \u2014 2024<\/span>\r\n \u00ab Isia Augustine, le dessinateur aux mains d\u2019or \u00bb<\/strong>\r\n \u2197<\/span>\r\n <\/a>\r\n\r\n \r\n Imaz Press \u2014 2022<\/span>\r\n \u00ab Huit toiles peintes \u00e0 deux mains en deux jours \u00bb<\/strong>\r\n \u2197<\/span>\r\n <\/a>\r\n\r\n \r\n La R\u00e9union des Livres<\/span>\r\n Fiche auteur \u2014 illustrateur de Kozman Gramoun<\/strong>\r\n \u2197<\/span>\r\n <\/a>\r\n\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n <\/section>\r\n\r\n \r\n\r\n
\r\n\r\n
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\r\n\r\n \r\n \u25c6<\/span>\r\n Une m\u00e9thode instinctive\r\n <\/span>\r\n\r\n

\r\n \r\n Cr\u00e9er.\r\n <\/span>\r\n\r\n \r\n Montrer.\r\n <\/span>\r\n\r\n \r\n Transmettre.\r\n <\/span>\r\n <\/h2>\r\n\r\n

\r\n Une pratique construite autour de la cr\u00e9ation,\r\n de la rencontre avec le public et du partage\r\n d\u2019un imaginaire en mouvement.\r\n <\/p>\r\n\r\n <\/header>\r\n\r\n

\r\n\r\n
\r\n\r\n 01<\/span>\r\n\r\n
\r\n CR\u00c9ER\r\n <\/div>\r\n\r\n

Cr\u00e9er<\/h3>\r\n\r\n

\r\n Laisser l\u2019encre, les formes et le mouvement\r\n guider progressivement la composition.\r\n Chaque \u0153uvre se construit dans l\u2019instant,\r\n entre ma\u00eetrise et instinct.\r\n <\/p>\r\n\r\n <\/article>\r\n\r\n

\r\n\r\n 02<\/span>\r\n\r\n
\r\n VOIR\r\n <\/div>\r\n\r\n

Montrer<\/h3>\r\n\r\n

\r\n Faire entrer le public dans le processus\r\n artistique en transformant le dessin\r\n en performance vivante et imm\u00e9diate.\r\n <\/p>\r\n\r\n <\/article>\r\n\r\n

\r\n\r\n 03<\/span>\r\n\r\n
\r\n LIER\r\n <\/div>\r\n\r\n

Transmettre<\/h3>\r\n\r\n

\r\n Partager la pratique, les techniques et\r\n l\u2019imaginaire \u00e0 travers des ateliers,\r\n des rencontres et des projets collectifs.\r\n <\/p>\r\n\r\n <\/article>\r\n\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n <\/section>\r\n\r\n \r\n\r\n

\r\n\r\n
\r\n\r\n
\r\n\r\n
\r\n\r\n \r\n \u25c6<\/span>\r\n Collaborations & projets\r\n <\/span>\r\n\r\n

\r\n Une id\u00e9e.
\r\n Deux mains.
\r\n Un nouveau monde.<\/span>\r\n <\/h2>\r\n\r\n <\/div>\r\n\r\n
\r\n\r\n

\r\n Performance, fresque, atelier, illustration,\r\n exposition ou collaboration \u00e9ditoriale :\r\n pr\u00e9sentez votre projet \u00e0 Isia Augustine.\r\n <\/p>\r\n\r\n \r\n D\u00e9marrer un projet\r\n \u2197<\/span>\r\n <\/a>\r\n\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n <\/section>\r\n\r\n